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Delay Doppelgänger.

DIG unearths the true soul of digital delay and doubles it — two simultaneous, integrated delays with captivating rack delay voicings from the 1980s and today, for incredible expressive potential.

Effortlessly create your own world of intricate and synchronized echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails, all in a compact, pedalboard-friendly format.

Strymon DIG On Wood Panel — Pink Lighting

Rack To The Future.

Rack-mount digital delays of the ’80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays that had yet been heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever.

Our thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG’s three digital delay voicings: the early ’80s adaptive delta modulation mode, the mid-’80s 12 bit pulse code modulation mode, and the modern high-resolution 24/96 mode.

Multiply these distinct voicings by two and get DIG — your perfect dual delay ally.

Classic Sound, New Features.

Our second generation DIG keeps the same distinctive rack-mount digital delay tones from our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio. 

Strymon DIG USB-C Connection


Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via DIG’s EXP/MIDI jack or USB-C connection. 

Delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 

300 MIDI preset locations are available for loading and saving your favorite settings.

Strymon DIG Stereo Input Switch

Hardware Improvements

A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch.

All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

Strymon DIG Tone Knob

Tone Knob

This powerful control sets the feedback filter response for tailoring the sound of your echoes. Fast and intuitive to use, it is actually two filters on one control: Turn left for high cut and right for low cut, or set at 12 o’clock for a flat response.


DIG Videos

3 Videos

Audio Examples

Sound Design


Controls & Routing

Hover over the interactive dots to learn more about DIG’s knobs, switches, and inputs/outputs.

Strymon DIG Top Down

Sets the feedback filter response. Turn left for high cut and right for low cut. 12 o’clock is flat response.

Controls wet/dry mix for Delay 2. 3 o’clock is 50/50 mix.

Used to set Configuration Mode Live Edit function.

Sets the rhythmic subdivision relationship between Delay 1 and Delay 2.

Used to access Sync/Free Mode Live Edit function.

Adjusts the number of repeats for both delays.

Used to access Delay 2 Repeats Live Edit function.

Controls the delay time for Delay 1. Acts as a master time control for both delays.

Used to access Delay 1 Subdivision Live Edit function.

Controls wet/dry mix for Delay 1. 3 o’clock is 50/50 mix.

Used to access Dry Level Live Edit function.

Changes the digital delay character.

24/96: modern, clean delay with subtle dynamics

adm: early ‘80s adaptive delta modulation process provides snappy, percussive delays

12 bit: mid 80’s 12-bit conversion method yields slightly darker and warmer delays

Sets the amount of delay line modulation.

off: no modulation

light: subtle modulation

deep: thick, rich modulation

Tap to set the master delay time. The TAP LED flashes red to indicate the tempo.

Hold footswitch to engage circular repeats.

Engages the effect. Red LED indicates the effect is engaged.

Strymon DIG Rear

High impedance, ultra low-noise, discrete Class A JFET preamp input. TRS adapter cable required for stereo input signal.

Low impedance stereo audio signal output. Use Out L for mono output.

Low impedance stereo audio signal output.
Use Out L and Out R for stereo output.

Multifunction communication jack for external control of DIG's features and functions.

Use a standard TRS expression pedal for continuous control over the knobs of the pedal.

See complete User Manual for details about configuring for MIDI communication or accessories such as Strymon Conduit, MultiSwitch Plus, and MiniSwitch.

Use the included power supply or an adapter with the following rating:

9VDC, center negative, 300mA minimum.

Computer connection for controlling via MIDI and firmware updates.

Select input signal type.

MONO: Use with a mono input signal. Output is stereo.

STEREO: Use with a stereo input signal. Output is stereo.