Way Back Machine.
Step on Zelzah, play one chord, and you’re instantly taken back to a world of classic phaser tones as they were always meant to sound, perfectly voiced, with tons of vibe.
Vintage 4-stage and 6-stage phasing with controls that allow seamless transitions to vibrato, gorgeous flanging and chorus, and new sounds never heard before—all instantly musical with great tone all the way across every dial.
Two Effects At Once.
Zelzah is actually two different phasers, side by side in one pedal.
Zelzah’s 4-stage side gives you a wide array of classic tones ranging from phasing to vibrato and more, while the 6-stage side provides phasing, flanging, chorus, and all points in between. Dial in a chorus on one side and barber pole phaser on other, or a phaser on one side and tremolo on the other. Use the two sides independently or together in a variety of configurations.
Zelzah may become the only modulation pedal you keep on your board.
Choose Your 4-Stage Phaser Sweep.
Barber Sweep
Similar to the visual effect of a barber pole, the Barber sweep is a continuously rising or falling effect that is traditionally done with frequency shifters.
In Zelzah we have used an arrangement of synchronized four stage phasers to produce the effect while maintaining the four stage sound.
Envelope Phaser
Set the Sweep switch to Env and you’ve got a whole new pedal under your feet.
Now the phaser responds to your picking like an envelope filter/auto-wah would, with the phaser sweep being dynamically controlled by your input signal, creating harmonically complex and very funky sounds.
Classic Sweep
The first Sweep mode is labeled “Classic” because this is the classic four stage phaser sweep we all know.
In this Sweep mode, a single LFO with a warped triangle shape creates that familiar vintage sound.
Six Stage Voice: Groundbreaking New Phaser Algorithm
The Voice knob on the six stage side simultaneously controls over 30 different parameters, all working in harmony for an inspiring musical experience.
Not only do you get thick, juicy, phasing with pure vintage vibe, but as you turn the Voice knob clockwise, our groundbreaking new modified all-pass structure expands the time response of the cascading all-pass filters seamlessly and continuously, adding spaciousness and airiness to the sound.
Explore a range of fresh musical tones that are not a mix of phasing and flanging, but actually something entirely new. Turn the Voice knob to the right for luxurious true flanger effects, and continue to the far end of the range for lush vintage chorus sounds. There are inspiring musical sounds at every point along the dial, and so many ways to make a sound that is truly yours.
Videos
Zelzah Videos
Audio Examples
Sound Design
Vintage Phasing, Even Better Than You Remember.
Our goal was to capture the rich phasing sounds that were introduced in the 1970s that work so beautifully with electric guitar and electric piano.
In addition to providing the best possible version of the vintage phaser sounds we grew up with, we also wanted to expand the sonic possibilities in a way that was unique and unexpected for a phaser.
To do that, we developed an architecture that contains a modified all-pass filter as the basis for the 6-stage phaser.
A phaser is a filtering effect made up of cascading all-pass filters. There are no delay lines. But with our modified all-pass structure, we are able to expand the time response of the all-pass seamlessly and continuously.
On the four stage side, we wanted to provide the classic sounds you expect from a premium four stage phaser, while adding barber sweep and envelope controlled sweep, and a Depth control that is tuned to deliver great phasing sounds even at very shallow settings.
Mix And match.
The four stage Mix control can be used to dial in a surprisingly wide variety of sounds. With Sweep set to Classic, the Mix control gives you a range from subtle phasing to full-on classic phasing sounds, and then onward to some quite pleasing phase vibrato effects.
With Sweep set to Barber, higher Mix settings with lower Depth settings can get into harmonic tremolo territory.
When Sweep is set to Envelope, higher Mix settings result in attack induced pitch modulation.
Hidden Depths.
The 4-Stage Depth control is designed to respond musically and intuitively across its full range, and varies in its effect depending on which Sweep mode is selected.
In both Classic and Barber modes, behind the scenes as you turn the Depth knob, the center frequency of the Sweep is internally adjusted to keep the frequency range in the sweet spot, producing a wide palette of beautifully voiced sounds across the entire range of the control. Additionally in Barber mode, feedback is added for increased intensity as the Depth is turned up.
With Sweep set to Envelope, the Depth knob sets input sensitivity, while the Speed knob sets the sweep range. Experiment with those two controls for a wide variety of envelope phaser tones including some very vocal-sounding timbres.
Tuned To Perfection.
The 6-stage sweep is carefully tuned, and behaves differently as you change Voice, Depth, and Speed settings.
Just one example of this: Toward the end of the Voice range (in vintage chorus territory), the LFO morphs from a smooth triangle to a warped shape that introduces a classic warble to the deepest chorus tones.
The behind the scenes interplay between Zelzah’s parameters means that you can experiment and be assured of musically useful results at every turn.
Choose Your Intensity.
The Resonance circuit adds feedback from the output back to the input of the six stage phaser to intensify the frequency notches and peaks.
Choose no resonance (off) or use the carefully tuned Mild or Strong settings.
Resonance not only contributes to dramatic phasing effects, but at higher Voice settings can yield some of the most sought after classic flanger sounds.
The rich vintage chorus effects available at the highest Voice settings can be uniquely enhanced by the Resonance switch, an option not commonly available on chorus pedals.
Hi-Fi Stereo.
Zelzah features full stereo in and out capabilities.
It can also receive mono input and still give you stereo output if you’d like to use it as the stereo origin point of your signal path.
When using stereo outs, use the Stereo Spread live edit function to increase the stereo spread between your outputs to create a dimensional stereo image with life and movement.
Being true stereo, Zelzah processes incoming stereo signals independently, with the left input being treated to its own 4-Stage and 6-Stage phasers, and the right input also having its own respective phasers.
Pair that with the ability to also process incoming stereo signals in Split mode, where the 4-Stage phaser processes the left input only and the right input is processed by the 6-Stage phaser, and Zelzah just may be the most flexible modulation pedal on your board.
Controls & Routing
Hover over the interactive buttons (+) to learn more about Zelzah’s knobs, switches, and inputs/outputs.
Tap on the interactive buttons (+) to learn more about Zelzah’s knobs, switches, and inputs/outputs.
Adjusts the balance of the dry signal and the phase-shifted signal from mild phasing at min to 100% wet at max.
Strongest phasing effect occurs with knob set at 12 o’clock (50/50 mix).
Adjusts the LFO range of the 6-Stage phaser.
Higher settings result in more dramatic phase and/or time modulations as set by the VOICE knob.
Adjusts the range of LFO for the 4-Stage phaser.
A deeper phasing effect is achieved as the knob is turned clockwise.
Sweeps smoothly from pure phaser voicings on the left to flanger tones past 12 o’clock and chorus tones on the right.
Adjusts the LFO rate of the 4-Stage phaser.
Adjusts the LFO rate of the 6-Stage phaser.
Selects from three settings of regeneration that add color and intensity.
off: smooth response.
mild: enhanced frequency peaks.
strong: prominent frequency peaks.
Controls the shape of the modulation sweep.
classic: traditional rising and falling LFO voicings that change in character as the DEPTH knob is adjusted.
barber: continuously rising or falling LFO. Direction is set via a live edit function.
env: touch sensitive envelope phasing effect with range set by the SPEED knob and sensitivity set by the DEPTH knob.
Independently toggles 4-STAGE phaser on and off.
Independently toggles 6-STAGE phaser on and off.
High impedance, ultra low-noise, discrete Class A JFET preamp input. TRS adapter cable required for stereo input signal.
Low impedance stereo audio signal output. Use Out L for mono output.
Low impedance stereo audio signal output. Use Out L and Out R for stereo output.
Multifunction communication jack for external control of Zelzah's features and functions.
Use a standard TRS expression pedal for continuous control over the knobs of the pedal.
See complete User Manual for details about configuring for MIDI communication or accessories such as Strymon Conduit, MultiSwitch Plus, and MiniSwitch.
Use the included power supply or an adapter with the following rating:
9VDC, center negative, 300mA minimum.
Computer connection for controlling via MIDI and firmware updates.
Select input signal type.
MONO: Use with a mono input signal. Output is stereo.
STEREO: Use with a stereo input signal. Output is stereo.
Features
Musical Sounds At Any Settings.
Our team spent months working to perfect each aspect of Zelzah’s sound design, making it so that any combination of settings would yield musically useful tones.
Experiment to your heart’s content knowing that organic, lush modulation awaits at every setting.
All-Purpose Algorithm.
Zelzah contains modulation multitudes waiting to be discovered.
Our groundbreaking 6-Stage phaser algorithm can take you from vibey vintage phasing to full-on flanging with the turn of a knob. Go even further and achieve iconic chorus tones, all with just one pedal.
Zelzah’s 4-Stage side is just as versatile, with everything from classic phasing to warbly vibrato available, and even tones that border harmonic tremolo territory.
Stereo Flexibility.
Zelzah features full stereo in and out capabilities.
It can also receive mono input and still give you stereo output if you’d like to use it as the stereo origin point of your signal path.
When using stereo outs, use the Stereo Spread live edit function to increase the stereo spread between your outputs to create a dimensional stereo image with life and movement.
Being true stereo, Zelzah processes incoming stereo signals independently, with the left input being treated to its own 4-Stage and 6-Stage phasers, and the right input also having its own respective phasers.
Pair that with the ability to also process incoming stereo signals in split mode, where the 4-Stage phaser processes the left input only and the right input is processed by the 6-Stage phaser, and Zelzah just may be the most flexible modulation pedal on your board.
Specs
- Two independent effects that can be configured and controlled separately and used one at a time or simultaneously in series, parallel, or split configurations
- Vintage 4-stage phaser with three phaser sweep modes: classic, barber, and envelope
- Groundbreaking new 6-stage phaser algorithm with a continuous range from classic pure 6-stage phasing to flanging to chorus, all with adjustable resonance
- True stereo operation means under the hood each half of the pedal has two phasers running side by side (two 4-stage and two 6-stage) or in series, with independently adjustable stereo spread for each
- All controls are carefully voiced to produce musically useful sounds at any setting
- Adjustable input level switch to allow for both instrument and line level signals
- Selectable Buffered or True Bypass
- Full featured MIDI implementation via TRS or USB supporting MIDI CCs, MIDI clock sync, access to 300 preset locations
- High impedance ultra low-noise discrete Class A JFET TRS stereo input.
- Low impedance independent TS stereo outputs.
- Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.
- USB jack for controlling via MIDI from a computer or for performing firmware updates.
- Independent on/off footswitch for each phaser
- Premium JFET analog front end
- Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality
- 480MHz ARM Superscalar processor
- 32-bit floating point processing
- 20Hz to 20kHz frequency response
- Audio Input Impedance: 1M Ohm
- Audio Output Impedance: 100 Ohm
- Strong and lightweight anodized dark purple aluminum chassis
- 9V DC power supply included
- Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current
- Dimensions:
- 4.5” deep x 4” wide x 1.75” tall
- 11.4 cm deep x 10.2 cm wide x 4.4 cm tall
- Designed and built in the USA