Happy Holidays from the Strymon team! We would like to personally thank our loyal fans & all of the musicians who use our gear. 2011 has been a blast creating new music gear with our team. We’re looking forward to sharing exciting new things in 2012.
*Dave wasn’t able to make the photo but he sends his holiday wishes as well!
Hey there! Some have asked us for a detailed list of TimeLine’s factory preset settings. Here is a PDF that contains info for all of the factory presets. :)
14MB .pdf file
We’re stoked and honored that the praise for Lex Rotary keeps rolling in! Total Guitar magazine recently presented us with their Best Buy award for Lex Rotary.
“The Lex is fun, and it sounds brilliant” – Total Guitar
We poured all of our collective brainpower into Lex Rotary and we’re super-excited that it’s loved by our customers and reviewers alike.
Hey there everyone. Just wanted to take a moment to share our very own Ethan Tufts’ new album release today. He’s a passionate musician who pours a lot of love and energy into music, which is why we’re grateful to have him as part of the Strymon team. The album is titled “Let’s get bloody” … check it out! http://www.stateshirt.com/
Nice! Premier Guitar has included our TimeLine delay as one of their Best of 2011 products! Here’s what they had to say:
“At this point, we could probably call Strymon relentless. This mad scientists’ club of tone-tweaking kooks keeps obliterating expectations about how analog digital signal processing can sound. But they’re also happy to exploit digital’s potential to explore more exotic sounds and analog emulations in the same unit. And that breadth of vision births wonders like the TimeLine, a studio-grade Delay that leaves few permutations of the effect unexplored in a package that’s surprisingly easy to navigate.
Strymon’s amazing tape delay emulation technology is just one of the delay options on a menu that runs from analog delay staples to super-out-there intergalactic textures. It’s full of cool preset capabilities, filters, and modulation for coloring your repeats. It also has an all-around, can-do aura that we found ‘infinitely tweakable to suit a musical situation.’ This is one tough-to-top delay.”
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