fbpx

Time-Warped Reverberator.

Create vast soundscapes with just a few notes from your instrument. Apply mind-bending pitch and harmonic manipulation to your reverb tails, with synth-like filter sweeps. Enter a world of new sounds that blow away the boundaries of what is possible with reverb. With pioneers and adventurous sonic explorers in mind we created a reverb pedal that can go where none have gone before.

Reverberant Synthesis Machine.

NightSky is a reverberant synthesis workstation, and a powerful, hands-on experimental sound design platform. NightSky gives you real-time continuous control of reverb pitch/processing rate/core size, harmonics, and even a synth-like resonant filter with multiple modulation waveshapes, plus a step sequencer with variable glide. You haven’t heard a pedal like this before.

Strymon NightSky Reverb Pedal

The Rules of Space and Time Have Been Rewritten.

New Sonic Territory.

NightSky is a reverb pedal you will want to get your hands on. Deep and powerful sound manipulation with instant response knob-tweaking and no menu diving set a new standard in experimental reverb sound design.

Warp Core Reverb.

NightSky achieves some of its most mind bending sounds by using a Variable Process Rate for its reverb core, allowing you to simultaneously change the size of the reverb as well as the pitch. This pitch change can be completely smooth, or quantized to a variety of musical scales. And it can be sequenced.

Harmonic Sculpture Machine.

Use Shimmer to shift the harmonic structure by selectable musical intervals. Add Glimmer to dynamically enhance the harmonic spectrum. Turn up Drive to generate saturated overdriven harmonics. Then sculpt the resulting signal with NightSky’s synth-like variable-resonance low pass filter.

Sound Design

  • Inspiration
  • Texture
  • Size / Pitch
  • Shimmer
  • Glimmer
  • Drive
  • Filter
  • Modulate
  • Morph
  • Sequence
  • Infinite
  • Deep Editing
  • Challenge The Conventions.

    NightSky evolved from a desire to push the envelope and challenge the conventions of traditional reverb while also paying homage to the experimental reverberant sounds from decades past.

    It started with the variable rate core. Once that was nailed down, we knew we had to complement it with a set of sound-shaping features that could take full advantage of the unique possibilities and expand them exponentially. This led us to a full-featured modulation section, a 4-pole resonant filter, and a unique Voice section to control the reverb’s harmonic structure.

  • Three Reverb Textures: Sparse, Dense, and Diffuse.

    NightSky gives you three distinct Reverb textures to choose from: Sparse, Dense, and Diffuse. The Sparse reverb creates reflections that are far enough apart from each other to be audibly distinct. Legato notes create a lush but pleasingly clean sound field, while staccato notes reveal individual echoes in a way that is well suited for sound design and special effects. The Dense reverb texture is an immediate-response reverb with a smooth sound field, featuring sonic characteristics similar to a plate. The Diffuse reverb creates a slow-building, atmospheric wash that excels at ambient, swell, and even reverse-like textures. The Diffuse reverb deconstructs and spreads transients over time to achieve its bloom-like effect.

  • Travel at Warp Speed.

    NightSky jettisons tradition and opens up a new universe of possibilities by using a variable rate process to expand and contract the reverb core size. This changes the reflection density and response of the reverb while retaining the integrity of the audio within the reverb. The result is a reverberated signal that can be transposed, sequenced and pitch modulated for interplanetary approval.

  • Sonically Beautiful Reverb Repitching.

    Inspired by the classic shimmer effects pioneered in the ’80s using digital reverbs and pitch shifters, NightSky’s Shimmer voice is carefully created from the reverberated signal itself to generate maximum radiance and beauty. Call forth deep, low ambient string sections with the octave down setting, or spacey ethereal textures with octave up. In between the octaves are several musically interesting intervals available for shifting the harmonic structure of the reverb. The Shimmer processing can be applied at the reverb input only, or can regenerate within the reverb core for ever-ascending or descending pitches as the reverb decays.

  • Custom Tailored Harmonic Spectrum.

    Glimmer creates an enhanced harmonic spectrum using an optimally tuned dynamic resonant network. Its high setting accentuates higher frequency harmonics, creating a washy, dreamy, ambient top end. With Glimmer switched to its low setting, lower frequency harmonics are enhanced to alter the perceived harmonic structure and create mysterious synth-like textures.

  • Explosions in the NightSky.

    NightSky’s Drive feature generates saturated overdriven harmonics that can either react to the signal going into the reverb core, or dynamically distort the reverb’s output in a very interactive way. When Drive is applied at the input to the reverb, digging in generates more distorted harmonics, so you can dynamically “play” the distortion going into the reverb core. Placed on the reverb output, Drive acts as a soft-clipped limiter, reacting dynamically with the complexities of the decay of the reverb. This can produce interesting distorted stereo panning effects, as reflections on either side of the stereo image surpass or recede below the amplitude necessary to generate noticeable distortion. The harmonic complexity created by the Drive block is perfectly suited for sonic sculpting via NightSky’s low pass filter.

  • Synth-like Low Pass Filter and More.

    NightSky features a beautifully tuned 4-pole 24dB/octave low pass filter with a user-selectable resonance amount for gorgeous synth-like filter sweeps of the reverb output. The low pass filter is especially effective at shaping the distortion products from the Drive section. When used with NightSky’s Modulation section this filter reveals the inspiring power of subtractive reverberant synthesis. The low pass filter can also be swapped for a high cut filter that removes high frequencies from the regenerating reverb core to create a reverb that gets darker as it decays. Also in NightSky’s TONE section is a low cut filter that removes low end content both at the output and in the reverb core.

  • Powerful Modulation Capabilities.

    Add motion to your sounds with NightSky’s Modulation section. Create slowly evolving ethereal textures, or push the limits of wildly experimental sound design. Triangle, square, ramp, saw, random, and envelope waveforms can be used to modulate your choice of targets: Modulate the delay lines within the regenerating reverb core, or modulate the size/pitch (process rate) of the reverb core. Or, for very synth-like sounds, modulate the resonant low pass filter.

  • Unlock the Power of Morph.

    NightSky’s Morph feature allows you to seamlessly go from one set of knob positions to another at the press of a footswitch, at any Morph speed you choose. Use it to gradually vary modulation speed and depth, or morph from a subtle short-decay reverb to a huge, mysterious, modulated long-decay reverb. You can morph between different size/pitch settings or even morph between shimmer intervals. Turn up the resonance on the low pass filter and use Morph to sweep the filter’s center frequency, sweeping through audible harmonics as you go. Morph settings are saved per-preset, making it a powerful live performance tool.

  • Sequence Your Reverb.

    NightSky features a powerful and easy to use eight step sequencer. Each step effectively changes the SIZE/PITCH setting and can be easily tuned in half step increments or to notes in the musical scale of your choosing, or can be tuned freely with no pitch quantization. The sequencer can be set to advance a single step each time you press a footswitch, or can run automatically at a tapped tempo. Individual steps can be instantly activated or deactivated as the sequence runs, and you can set a variable glide time for smooth pitch transitions between steps. Sequences are saved per preset.

  • Infinite Sky.

    NightSky’s INFINITE footswitch freezes the audio at the input to the reverb core, and any new audio can still be processed by the reverb on top of the frozen audio. Not only does this allow you to create a lush ambient bed to play over, it offers a whole new world of possibilities when used in conjunction with NightSky’s sequencer. Now you can repitch that frozen audio by predetermined intervals stored in your sequence, creating on-demand chord changes to play over, or single note sequences to set a groove.

  • Go Beyond.

    NightSky’s front panel offers an abundance of control over your reverberated signal. Should you desire to venture even further beyond the ordinary, there are several secondary parameters to add to your sound design toolkit.

    Infinite Input Mode – With Infinite mode, select whether additional input signal gets processed by the reverb and sequencer or passes through unprocessed
    Glide Time – Set the Glide (portamento) speed for the sequencer
    Pre-Delay – Adjust pre-delay from 0 to 500ms
    Scale Select – Choose from eight different scales when scale quantize is selected
    Filter Resonance – Vary the resonance from gradual rolloff to sharp peaking response when low pass is selected
    Glimmer Gain – Adjust the intensity of the Glimmer effect
    Drive Gain – Set the intensity of the Drive effect
    Morph Time – Adjust how quickly settings morph between each other

Videos

  • Overview
  • Audio Examples
  • Sequencer Examples
  • In-Depth Tour
  • What is Strymon NightSky?

  • Experience the wide variety of sounds that can be created with NightSky Time-Warped Reverberator.

  • See and hear the creative possibilities using NightSky’s built-in eight-step sequencer.

  • Strymon sound designer and DSP engineer Pete Celi takes us on an in-depth tour of our NightSky Reverb Pedal.

    Signal path: Suhr Classic Antique Guitar » Iridium (Round Amp, Cab A) » NightSky

Control & Routing

Press (+) for details.
  • Front Panel
  • Ins & Outs
  • SPEED adjusts the rate of modulation from 0.06Hz (16 second sweep) to 12Hz (0.08 second sweep).
    TARGET selects the process to which modulation is applied.
    verb: modulates the delay lines within the regenerating reverb core.
    pitch: modulates the size (process rate) of the reverb core.
    filter: modulates the HIGH CUT tone control position.
    DEPTH adjusts the amount of modulation. Modulation is off at the fully minimum position.

    For env mode: modulation is off at noon. Sensitivity increases as the knob is rotated away from center. Rotate left for negative envelope response or right for positive.
    SHAPE selects the modulating waveform.
    triangle: rises and falls evenly.
    square: jumps between two fixed values.
    ramp: rises gradually and falls abruptly.
    saw: falls gradually and rises abruptly.
    random: jumps between random values.
    env: modulation value responds to playing dynamics (sensitivity set by DEPTH), and returns at a rate set by SPEED
    LENGTH adjusts the reverb decay time from less than one second to nearly infinite sustain. At long decay settings, decay time may be impacted by the TONE settings.
    TEXTURE selects one of three different reverb types.
    sparse: granular-sounding reverb that can create interesting effects with staccato inputs, or produce a clean reverb with sustained inputs.
    dense: plate-like reverb with a fast response and dense reflections that can venture into ambient territory at high decay times.
    diffuse: slow-building, atmospheric wash that excels at ambient, swell, and even reverse-like textures.
    SIZE/PITCH increases the size of the reverb core to create a larger “space” for reflections as the knob is turned clockwise which also allows for pitch variations during adjustment.
    QUANTIZE selects the response and range of the SIZE/PITCH knob. smooth: SIZE/PITCH varies smoothly and continuously over a 2.5 octave pitch range.
    half step: The SIZE/PITCH is quantized into half-step intervals over a two octave range.
    scale: The SIZE/PITCH is quantized into selectable scales over a two octave range.
    REVERB sets the output level of the reverberated signal.
    LOW CUT removes low end content both at the output and in the regenerating core portion of the reverb as the knob is turned clockwise.
    FILTER selects the response of the HIGH CUT knob.
    regen: removes high frequencies from the regenerating core, creating a reverb that gets darker as it decays.
    low pass: applies a synth-style peaking low-pass filter to the reverb output to selectively shape the frequency content.
    HIGH CUT removes high frequency content from the reverb with characteristics determined by the FILTER switch selection.
    INTERVAL selects the pitch interval of the shimmer effect from a number of musically useful and interesting intervals.
    SHIMMER (button) selects the type of shimmer effect.
    input: shimmer effect is applied to the input of the reverb core and does not regenerate.
    regen: shimmer effect is applied within the reverb core and the effect is regenerative.
    SHIMMER (knob) sets the amount of the shimmer effect. Shimmer effect is off when set to minimum.
    GLIMMER creates a harmonically enhanced spectrum from the reverb output.
    high: higher frequency harmonics are highlighted creating a washy, dreamy top end.
    low: lower frequency harmonics are highlighted that add mysterious and synth-like textures.
    LED off: Glimmer is disabled.
    DRIVE adds saturated overdriven harmonics to the reverb.
    pre: applies drive to the signal before the reverb tank.
    post: applies drive after the reverb core, allowing the reverb tail to dynamically go into and out of saturation as the reverb decays.
    LED off: Drive is disabled
    DRY sets the output level of the unprocessed signal. No dry signal at minimum, unity gain at 12:00, and +3dB boost at max.
    ON turns the effect ON or OFF.
    morph: press and hold sweeps between the current sound and a set of alternate knob settings.
    sequence step: In Sequence mode, advances the sequence to the next step on each press. If a sequence is playing, pressing the step footswitch once will stop the sequence from playing and return to the first step.
    FAVORITE toggles between the active onboard preset and the current state of the knobs and switches. GREEN LED indicates that the preset is engaged.
    sequence tap: In Sequence mode, sets the rate of the sequencer through two taps. Resets the sequencer to Step 1 on single tap.
    INFINITE holds the input to the reverb core while also allowing new audio to be processed by the reverb on top of the “frozen” audio. Press and hold to switch into sequence mode. Press and hold again to switch out of sequence mode.
    PRESET BUTTONS 1-8 select and enable presets. Press a lit preset button to switch between two banks. GREEN LED indicates presets 1-8, AMBER indicates presets 9-16. In Sequence mode, use these buttons to enable/disable the step for the sequence, and set size/pitch for each step. See user manual for details.
  • INPUT MODE – Sets the INPUT level. Use INST with guitar level input. Set to LINE when using NightSky in the effects loop of a guitar amp, or when driving NightSky with a hot output from a synth or mixer insert.
    INPUTS – Stereo high impedance ultra low-noise discrete Class A JFET preamp inputs. Use LEFT IN for mono input.
    OUTPUTS – Audio signal outputs. Use LEFT OUT for mono output.
    EXP can be set to work in one of the following modes:
    Expression Pedal Mode: Continuous control over knobs via expression pedal.
    MIDI Mode: Access three presets using MultiSwitch Plus or 300 presets via MIDI.
    Preset Up/Down Mode: Scroll through, engage, or bypass the 16 onboard presets via MultiSwitch Plus.
    MOD/TONE/VOICE Bypass Mode: Engage or bypass the individual sections of NightSky with MultiSwitch Plus.
    USB – Used for connecting to a computer for controlling via MIDI.
    MIDI – Full featured MIDI input and output supporting MIDI CCs, program changes, and more.
    POWER – Use included power supply or any adapter with the following rating: 9VDC center negative. 300mA minimum.

More Features

  • Presets
  • MIDI Control
  • Expression
  • Level Switch
  • MultiSwitch Plus
  • Instant Access to 16 Presets.

    NightSky gives you instant front panel access to 16 presets. Of course, if 16 is not enough, 300 preset locations are available via MIDI.

  • Core of your MIDI Rig.

    With full MIDI control of every parameter plus 300 preset locations, NightSky is designed to be the center of sonic expressiveness for your MIDI pedalboard. Control sequencer tempo and pitch via MIDI. Modulate NightSky’s filter with beat-synced modulation envelopes from your DAW. Let NightSky provide the inspiration, and the possibilities are as unlimited as your imagination. NightSky transmits and receives MIDI over 5-pin DIN, USB, and even the Expression jack (via our MIDI EXP cable)—perfect for your pedalboard or in your studio.

  • Morphing expression control.

    Connect an expression pedal and enjoy a whole new level of instantaneous, continuous control. Set as many knobs as you like for the heel position and toe position of your expression pedal, and all settings will simultaneously morph throughout the full range of the expression pedal.

  • Dedicated Instrument/Line Input Level Switch.

    NightSky offers an input level switch to work perfectly with a variety of input sources. Set the switch to the INST position when using a guitar level input. Set to LINE when using NightSky in the effects loop of a guitar amp, or when driving NightSky with a hot output from a synth or mixer insert. The LINE input mode gives you an additional 10dB of clean headroom, and is also perfect for using NightSky as a send effect or insert effect in the studio.

  • Additional Control with MultiSwitch Plus.

    Connect MultiSwitch Plus to NightSky’s Expression Pedal jack for additional footswitchable control. Use MultiSwitch Plus to instantly select between three presets, or scroll through the 16 onboard presets and engage or bypass the preset you have selected. Or set MultiSwitch Plus to individually engage or bypass the MOD, TONE, or VOICE sections of NightSky.

    MultiSwitch Plus - Extended Control for Sunset, Riverside, and Volante

Specs

  • Sound Design
  • Ins, Outs, and Switches
  • Audio Quality
  • More
  • Sound Design

    • Three selectable reverb types offer a wide variety of ambient textures
    • MOD section with various waveforms to modulate the reverb or tone filters
    • TONE section to sculpt the high and low EQ of the reverb
    • VOICE section to enhance the aural spectrum of the reverb
    • Adjustable SHIMMER for adding pitch shifting of up to +/- 1 octave to the reverb
    • GLIMMER dynamically enhances high or low frequency harmonics for synth-like textures
    • Pre or Post DRIVE to add saturated overdriven harmonics to the reverb
    • Adjustable reverb core size to increase or decrease the space for reflections
    • Independent REVERB and DRY level controls
    • Step sequencer for programming rhythmic pitch variations of the reverb
    • Access to 16 presets from the front panel and 300 presets via MIDI
  • Ins, Outs, and Switches

    • High impedance ultra low-noise discrete Class A JFET preamp stereo inputs
    • Low impedance stereo outputs
    • Input Level switch allows for both instrument and line level signals
    • On, Favorite, and Infinite footswitches
    • Expression pedal input allows the connection of an expression pedal, MultiSwitch Plus, or 1/4” to MIDI cable
    • Full featured MIDI in/out supporting MIDI CCs, program changes, MIDI clock sync and more
    • USB jack for controlling via MIDI from a computer or for performing firmware updates
  • Audio Quality

    • Analog dry path for a zero latency dry signal that is never converted to digital
    • Premium JFET analog front end
    • Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality
    • Super high performance SHARC DSP
    • 32-bit floating point processing
    • 20Hz to 20kHz frequency response
    • Audio Input Impedance: 1M Ohm
    • Audio Output Impedance: 100 Ohm
  • More

    • True Bypass (electromechanical relay switching) or selectable transparent Analog Buffered Bypass
    • Strong and lightweight anodized dark blue aluminum chassis
    • 9V DC power supply included
    • Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current
    • Dimensions:
      • 4.5″ deep x 7″ wide x 1.75″ tall
      • 114.3 mm deep x 177.3 mm wide x 44.5 mm tall
    • Designed and built in the USA