Download the user manual, read FAQs or contact us if you need more help.
Each of our Strymon digital effect pedals (excludes OB.1) have the ability to be used with mono or stereo connections. Here are 3 different connection setups you can use with these pedals.
Mono Input => Mono Output
For Mono input and Mono output on our small 2 footswitch pedals, just use a standard mono TS instrument cable into the INPUT and connect a mono TS instrument cable to the LEFT OUTPUT of the pedal.
For blueSky and Ola, connect a mono TS instrument cable into the LEFT INPUT and LEFT OUTPUT for a mono connection.
For the TimeLine, BigSky, and Mobius, connect a mono TS instrument cable into the LEFT INPUT and LEFT OUTPUT for a mono connection. On the TimeLine and Mobius ONLY, make sure that the switch on the back of the pedal is set to STEREO IN/OUT.
Mono Input => Stereo Output
For Mono input and Stereo output on our small 2 footswitch pedals, just use a standard mono TS instrument cable into the INPUT and connect a mono TS instrument cable to both the LEFT and RIGHT OUTPUTS of the pedal.
For blueSky and Ola, connect a mono TS instrument cable into the LEFT INPUT and a mono TS instrument cable to both the LEFT and RIGHT OUTPUTS for stereo output.
For the TimeLine, BigSky, and Mobius, connect a mono TS instrument cable into the LEFT INPUT and both LEFT and RIGHT OUTPUTS for stereo output. On the TimeLine and Mobius ONLY, make sure that the switch on the back of the pedal is set to STEREO IN/OUT.
Stereo Input => Stereo Output
For Stereo input and Stereo output on our small 2 footswitch pedals (except blueSky and Ola), you must first open up the pedal to move the internal jumper over the LEFT 2 pins to set the pedal for TRS Stereo input. Please see the following FAQ for further information on this setup:
Once the pedal is set for TRS Stereo input, make sure to use a TRS Stereo cable into the INPUT and connect a mono TS instrument cable to both the LEFT and RIGHT OUTPUTS of the pedal.
For blueSky and Ola, connect a mono TS instrument cable into the LEFT and RIGHT INPUTS along with both LEFT and RIGHT OUTPUTS for stereo input and output. The internal jumper on these pedals does not need to be adjusted to work in stereo and should be left in its default position (connecting the left 2 pins when viewed from below).
For the TimeLine, BigSky, and Mobius, connect a mono TS instrument cable into the LEFT and RIGHT INPUTS along with both LEFT and RIGHT OUTPUTS for stereo input and output. On the TimeLine and Mobius ONLY, make sure that the switch on the back of the pedal is set to STEREO IN/OUT.
***Please note that Stereo Input and Mono Output is NOT available on our pedals as they will NOT sum to mono when there is a connection to the RIGHT INPUT or RIGHT OUTPUT.
For the 1.33 firmware revision we implemented a new feature which allows for MIDI preset dumps directly from TimeLine to TimeLine or from TimeLine to a MIDI host software like SNOIZE Sysex Librarian (Mac) and Bome’s SendSx (PC).
Below illustrates how to back up and save presets, as well as load presets back into your TimeLine using SysEx Librarian on a Mac.
We only suggest you do this in the event you’d like to take your entire pedal’s presets back to the factory settings.
TimeLine and Mobius presets are arranged in 100 banks of 2 presets each for a total of 200 presets. MIDI access to these presets is available as MIDI program change messages. The presets are assigned a program change sequentially, for example:
Bank 00A – Send program change #0 to recall
Bank 00B – Send program change #1 to recall
Although the TimeLine can accept a TAP command via the expression pedal input from an external TAP foot switch, it cannot send a TAP command out to another pedal.
We have tested the Moog EP-2, Roland EV-5, Mission Engineering EP-1, and they will all work with our pedals to varying degrees. (There may be others but we haven’t tested them yet.)
We recommend using expression pedals that have a minimum 25k ohm potentiometer such as as the Mission Engineering EP-25k.
Below are some common settings you may want to dial in on your TimeLine to achieve some classic dual delay sounds.
For more information on the Dual Delay machine in the TimeLine please see page 9 of the TimeLine user manual. You can download the manual on our support page HERE.
|TAP Subdivision||Delay 2||Delay Ratio|
The Strymon TAP Favorite switch is the perfect TAP tempo switch for TimeLine, Mobius, or Flint. Please visit the TAP Favorite Product Page on our website for more information.
If you’d prefer to go with another external TAP tempo switch, we can’t recommend a specific one for you but, as long as the switch is designed with a momentary, single pole, double throw (SPDT) type switch that switches the TIP between the SLEEVE (ground or 0VDC) to the RING (5VDC) it should work fine.
If you are unsure whether or not your TAP tempo switch provides these specs we kindly ask that you please contact the manufacturer of that switch for more information.
This feature was added to the TimeLine with the release of firmware version 1.23. If you haven’t updated to this version yet please see the following FAQ’s to help you get going on how to do that.
No. Although the TimeLine will accept MIDI beat and time clock from external devices it will not send it out.
The TimeLine is a multidimensional digital delay with 12 unique and fully tweakable delay machines with some delays that have similar settings to our smaller delay pedals.
The dTape mode within TimeLine will feature the Single head sliding machine, with full control over each parameter. El Capistan is a dedicated tape echo experience, giving you more in-depth control over tape echo sounds, including the Multi-head modes, Fixed head modes, Sound on Sound, and spring reverb.
The analog bucket brigade delay sounds from the Brigadier are available in the TimeLine’s dBucket setting.
On the Dig dual delay, the tone of the delays are different than those on the TimeLine’s DUAL delay machine. The closest to the TimeLine’s Digital machine is the DIG’s 24/96 setting, however, it has some subtle dynamic ducking of the delays that the TimeLine’s Digital setting does not. Feature-wise, the DIG has the unique digital voicings for 24/96, ADM, and 12 bit delays, the ability to set the output configuration to ping pong between the left and right outputs when used in stereo, and the Golden Ratio tap division which provides delays that will never step on the repeats for getting a great ambient sound with long trails.
This is on page 5 of the user manual.
Yes, you can connect an external TAP switch to tap tempo remotely. Use a standard TRS cable to connect the external switch to the EXP input on TimeLine. Set the EXP MD global setting to TAP to use external tap.
We do our best to help out in giving advice on MIDI controllers. There are so many different models on the market though that it isn’t practical for us to be experts on all of them. Please study the MIDI controller manufacturer’s user manual as well as the MIDI section of our manual. Also consider contacting the manufacturer of the MIDI controller if you need more help or information on the capabilities of your particular MIDI controller.
The TimeLine’s delay algorithms are computationally complex, and require the full capability of the SHARC processor to run. This presents a challenge regarding spillover, in that an additional processor would be required to run two simultaneous algorithms.
TimeLine enables spillover by recording the wet signal and playing it back when a new patch is selected. When a new patch is selected, the wet signal from the first patch is ‘looped’ at the first patch’s delay time interval, and played back while reducing in level based on the repeats value. In addition, the spillover signal is ramped down over a time period of 4 seconds. By ‘looping’ the wet signal, spillover can occur without the requirement of two simultaneous processors needed to run two algorithms.
When changing patches, the spillover delay needs to complete its fade-out before the spillover buffer can start recording the new patch’s wet signal. This means that switching patches quicker than 4 seconds will result in no spillover.
If the Repeats are set to zero, there will be no spillover signal as the spillover signal is multiplied by the Repeats level. Remember, the dry signal isn’t being recorded because that would require an additional processor to produce simultaneous spillover with the new selected patch.
A PDF of TimeLine factory preset settings can be found here.
We always work hard to improve the experience our customers have with our products. The release notes below list out new features we’ve added to TimeLine and issues we’ve resolved.
TimeLine Firmware Rev. 1.58 (Released February 2015):
Firmware Rev. 1.43 (Released June 2013):
Firmware revision 1.43 is an archived release and is no longer available for download. All features and fixes in this revision have been ported over to our current release version 1.58.
Firmware Rev. 1.42 Public Beta (Released March 2013):
Firmware revision 1.42 is an archived release and is no longer available for download.
Firmware Rev. 1.33 (Released February 2013):
Version 1.33 is an archived release. While this release does make some improvements over 1.23, we noticed some minor issues with the new features that were added in 1.33. Specifically, there is an issue with the new global tap per preset feature, and in some instances you may hear a subtle audio tick when using the looper via MIDI. If you already have v1.33 installed on your TimeLine, you may feel free to continue to use this version. We also have a public beta version (downloadable above) that you may install.
Firmware Rev. 1.23 (Released February 2012):
Firmware Rev. 1.14 (Released August 2011):
Version 1.14 is an archived release.
Yes, it is possible to update TimeLine via MIDI syses.
The current shipping firmware version is 1.58 (released February 2015). The update file, release notes, and instructions can be downloaded at the following link. Update instructions are included as a PDF with the download. 🙂
For a list of all firmware revision release notes, please click HERE.
If you are having problems updating your TimeLine these tips should help you get going.
If your update is failing check the following:
Ensure your MIDI cables are connected properly – When connecting two devices via MIDI you typically want to connect the MIDI OUT from one device to the MIDI IN on the other. Some MIDI interfaces label their cables in the opposite manner with “TO MIDI IN” and TO MIDI OUT”. So in this case connect the “TO MIDI IN” to the MIDI IN of your TimeLine and the “TO MIDI OUT” to the MIDI OUT of your Timeline.
Use a dedicated MIDI interface – Many times firmware updates via MIDI won’t play nice with devices that are not dedicated MIDI devices. We recommend performing your MIDI updates using a dedicated MIDI to USB interface. The Roland UM-ONE, Yamaha UX-16, and iConnectivity Mio devices are just some that work very well. You may run into problems trying to update through your MIDI jacks on something like an audio interface or keyboard. This is one of the most popular causes of a MIDI update failure.
Download the latest drivers from the manufacturer of your MIDI interface – Try not to use class compliant (plug and play) drivers. These types of device drivers are typically not robust enough to handle even a small firmware update via MIDI. Whenever possible, download the latest and greatest device drivers directly from your MIDI interface’s manufacturer website.
***BigSky Beta Firmware Rev. 1.36***
***Mobius Beta Firmware Rev. 1.29***
***TimeLine Beta Firmware Rev. 1.77***
This may be because you have the looper level on the TimeLine turned down.
This is on page 24 of the user manual.
You can set up your MIDI controller with either MIDI CC (continuous controller), or MIDI note numbers.
Record – CC# 87, any value
Play – CC# 86, any value
Stop – CC# 85, any value
Reverse (toggle) – CC# 94, any value
Full/Half Speed (toggle) – CC# 95, any value
Pre/Post (toggle) – CC# 96, any value
Undo (to initial loop) – CC# 89, any value
Redo – CC# 90, any value
Looper Level – CC# 98, value range 0-17
Record – note 0, velocity > 0
Play – note 2, velocity > 0
Stop – note 4, velocity > 0
Reverse (toggle) – note 14, velocity > 0
Full/Half Speed (toggle) – note 16, velocity > 0
Pre/Post (toggle) – note 17, velocity > 0
Undo (to initial loop) – note 7, velocity > 0
Redo – note 9, velocity > 0
If you want to record to the looper while the delay is bypassed, you’ll need to ensure you’re in Buffered Bypass mode. If you’re in True Bypass, the pedal is being mechanically bypassed, which means the looper doesn’t have any input signal to record.
To switch to Buffered Bypass: You can set this in the Globals menu. Select BYPASS, and change to BUFBYP. Alternatively, you can set the last preset you were using to have Delay Persist ON, which essentially turns on Buffered Bypass for that preset. In the Params menu, select PRSIST, and change to ON.
TimeLine requires a power supply that provides 9VDC (center negative) at a minimum of 300mA.
For further information, please see our blog post on powering your effect pedals at the following link:
TimeLine requires 300mA of current, and the PP2+ only provides a maximum of 250mA on outlets 5 and 6. While TimeLine may work with a PP2+ on outlet 5 or 6, we can’t guarantee that it will work all of the time in that scenario, so we do not recommend it. You may choose to purchase Voodoo’s current doubler cable and utilize both outputs 5 and 6. This cable connects to two Pedal Power outputs and combines them to a single jack. You may also choose to upgrade to a Voodoo Lab Pedal Power Digital or 4×4 which offer several 9V DC high current outputs.
All Strymon pedals sold within North America (except OB.1) include a 9VDC 660mA power supply. OB.1 includes a 9V battery.
We don’t recommend using daisy chain power supplies. Ground loops are commonly caused when using a daisy chain power cable to power multiple pedals. This creates a ground loop between every pedal in the daisy chain. Ground loops allow stray magnetic fields to introduce hum into your signal path.
If the only type of effect you use is distortion you may not have (or hear) the ill effects. But, if you have modulation and delay pedals the likelihood of ground loops wreaking havoc on your signal is high.
If you don’t plan on using the included power adapter, we recommend an isolated power supply. An isolated supply works by using a transformer (or multiple transformers) to keep every power outlet completely electrically isolated. We offer two fully-isolated, high current DC power supplies, Ojai and Zuma. Click below for more info:
Mac OS X – 10.6.8, 10.7.x, 10.8.x, 10.9.x, 10.10.x
Windows – XP, Vista, 7, 8
For more details on the Librarian software, please visit the Strymon Github page.
Once you have downloaded and installed the Librarian software, you will need to connect your Strymon pedal to a computer using a dedicated MIDI interface that uses developed drivers for your computer’s specific operating system. We recommend the Roland UM-ONE or the Yamaha UX-16.
On most MIDI interfaces, the MIDI OUT cable connects to the MIDI IN port on the pedal and the MIDI IN cable connects to the MIDI OUT port. However, some MIDI interfaces (such as the Roland UM-ONE or the M-Audio MIDI Sport UNO) have arrows or text on the cables to indicate the direction of the data to tell you where to connect the cables to on the pedal.
After you have installed the Strymon Librarian software and connected the pedal to your computer through a MIDI interface, launch the Librarian and click on the SETTINGS > MIDI SETUP menu option.
To choose your MIDI IN and OUT Ports and run the connection test. The test bar should turn green and display “success” indicating the software does detect your connected MIDI interface.
You can use the Strymon Preset Librarian software to update the firmware on your pedal to the latest version. Please check out the Strymon Firmware Update page for information on updating your Strymon pedal with the Librarian software.
Device List – The Device List is the static representation of what is currently on the connected device. No changes can be made to the Device List. The Device List is populated after performing a FETCH function and all changes made to the Work List will be carried over to the Device List after a SYNC function is performed.
Work List – This is where you make all preset changes in the Strymon Librarian. After changes have been made, a SYNC action will send those changes to the Device List and connected Strymon hardware device.
Fetch – The FETCH button fetches all presets from your connected device and populates the list of presets in the Device List and Work List. This action needs to be done upon each fresh launch of the librarian software.
Sync – A SYNC action will send any changes made from the Work List over to the Device List and connected Strymon hardware. The SYNC button is only active when changes have been made to the Work List.
Open – Click the OPEN button to open and load up entire preset bundles into the Work List of the Strymon Librarian software. Any changes made to the preset bundle that may not have been synced to the device but have been saved before quitting will still be reflected in the preset bundle list.
Save All – The Save All button will save an entire 200 preset bundle list to any specified location on the computer.
Load One – Click the LOAD ONE button to load up individual presets into the Work List of the Strymon Librarian.
Rename – Allows the option to rename any highlighted preset in the Work List. Double clicking on any preset will also bring up the rename window.
Move – Allows the choice to move presets in two different ways:
Device Connected Image – Located at the bottom right hand side of the graphical interface. This confirms that the Strymon device is indeed connected to the Strymon Librarian software.
Settings – Click on the SETTINGS menu option to set up the MIDI hardware device you are using to connect the Strymon pedal to the Strymon Librarian software.
The main Librarian screen features both a Device List and a Work List. All changes are made on the Work List side and can be “synced” up to the hardware device using the <=SYNC button between the two list windows. After you have successfully set up your MIDI interface in the MIDI Settings window, hit the Fetch button to load the presets from your pedal to the Device List and Work List.
Once the Librarian software has finished loading your presets to the Device and Work lists, you can save all of the presets from your pedal to your computer as single .syx file by clicking the Save All button at the top of the Librarian. A window will popup to specify a location to save the presets to.
You can also use Save One button on the right side of the Librarian to save a single preset from your pedal to your computer. Just highlight a single preset in the Work List, then, click on the Save One button to save that preset to your computer.
To load a single preset or bundled preset file to your pedal, click on the Fetch button to load your pedal’s presets to the Device List and Work List if you have not already done so. (It is important to remember to hit the Fetch button every time you start the Librarian software before managing your presets.) Hit the Open button to load a preset bundle file (.syx) from your computer to the Work List.
Once loaded to the Work List, any presets that are different than what is in the Device List will show as red in the Work List. To load these changes to the pedal’s memory, press the <=Sync button. WARNING: Loading a preset backup file will overwrite ALL of the presets on the device’s memory with the presets from the backup file.
You can also load a single preset to the pedal by clicking on a preset you would like to replace in the Work List to highlight it, then, clicking the Load One button to select the new preset to load to the pedal. The new preset will show as red in the Work List and clicking on the <=Sync button will write this new preset to the pedal’s memory.
If you run into trouble with communicating the Strymon Preset Librarian with your pedal, this is typically due to the MIDI interface being used between the computer and your pedal.
First, make sure to download and install the latest drivers for the MIDI interface from the manufacturer’s website to ensure proper communication with that device.
Also, make sure that your connections are correct: MIDI IN cable to MIDI OUT port and MIDI OUT cable to MIDI IN port. In some cases, the MIDI cable ends tell you where to connect them (TO MIDI IN and TO MIDI OUT, for example).
And if you have any questions about managing your presets, please feel free to send us an email at email@example.com. 🙂
We have developed an open source preset librarian for TimeLine, BigSky, and Mobius. Our main goal was to assemble the infrastructure for an extendable librarian that could be customized and tweaked by developers in many different ways.
For the non-coder, you can go right ahead and use this version and access basic organization and back up functionality.
For the code monkey, you’ll be glad to hear that we’ve added all sorts of hooks under the hood that can be accessed and customized. While this current version is very bare bones, we have left the door wide open for additional developers to build in their own features and user interfaces.
We plan to make updates in the future, in parallel with any open source developers that choose to come on and work on their own versions.
Mac OS X – 10.7.x, 10.8.x, 10.9.x, 10.10.x
Windows – XP, Vista, 7, 8
For developer support and previous releases of the Librarian software, please visit the Strymon Github page.
The latest release of the Strymon Librarian software makes it possible to update the firmware on TimeLine, BigSky, or Mobius directly within the application. Please visit strymon.net/update for information on how to update your pedal to the latest firmware version.
All of the inputs and outputs on our pedals use MONO TS unbalanced connections. You can use a TRS cable to plug into the inputs and outputs of the pedals, however, there is no benefit to using TRS balanced cable over a MONO TS instrument cable.
By default from the factory, the TimeLine and Mobius are set to work with Quarter note taps of the Tap switch to set your effect Time or Speed.
You can change the Tap Division of each preset on these pedals by changing the TAPDIV parameter in the PARAMS* menu of the pedal to the following options:
WHOLE – Whole note (Mobius only)
HALF – Half note (Mobius only)
QRTR – Quarter note
dotted – dotted 8th note
8Th – 8th note
TRPLET – 8th note triplets
16Th – 16th note
Once you have selected your new Tap Division for your preset, make sure to save the preset with this new setting.
*Press the Value encoder button momentarily to access the PARAMS menu.
All Strymon products are crafted with love in the USA, right in the Los Angeles, California area.
TimeLine is 6.75″ wide x 5.1″ deep.
Yes, they feature high-impedance inputs and accept up to +8dBu, instrument or line level.
Strymon Non-Transferrable Limited Warranty
Strymon warrants the product to be free from defects in material and workmanship for a period of one (1) year from the original date of purchase. If the product fails within the warranty period, Strymon will repair or, at our discretion, replace the product at no cost to the original purchaser.
This warranty covers defects in manufacturing discovered while using this product as recommended by Strymon. This warranty does not cover loss or theft, nor does the coverage extend to damage caused by misuse, abuse, unauthorized modification, improper storage, lightning, or natural disasters. Damage caused by any of the above circumstances may result in a non-warranty repair fee.
In the case of malfunction, the purchaser’s sole recourse shall be repair or replacement, as described in the preceding paragraphs. Strymon will not be held liable to any party for damages that result from the failure of this product. Damages excluded include, but are not limited to, the following: lost profits, lost savings, damage to other equipment, and incidental or consequential damages arising from the use, or inability to use this product. In no event will Strymon be liable for more than the amount of the purchase price, not to exceed the current retail price of the product. Strymon disclaims any other warranties, express or implied. By using the product, the user accepts all terms herein.
For North American customers: Contact Strymon through our website at http://www.strymon.net/support for Return Authorization and information. Proof of original ownership may be required in the form of a purchase receipt.
For International Customers: Contact the Strymon dealer from which the product was purchased from in order to arrange warranty repair service.
Your warranty is valid in the region of purchase. For example, if you buy your product in Japan, any service-related issues will need to be handled in Japan. Only products purchased in the United States can be repaired in the United States.